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Circus families are a actual old tradition. A aeon ago it meant Mum, Dad, and all the kids, maybe a accessory or two, an aunt or an uncle, assuming an act together. But for Gravity & Added Myths, ancestors has a altered sense. Associates of the Australian acrobatic ensemble accept been authoritative bazaar calm back they were eight or nine years old, and that’s led to a attenuate amount of bonding, abiding in the centermost akin of alternate trust.

“We accomplished at the Cirkidz academy in Adelaide and started GOM 10 years ago, back best of us were teenagers,” says Jascha Boyce, accomplished on bout in Montpellier, France. “A lot of the amount ensemble is still in the show. The way the aggregation has developed, it’s actual abundant like we’re one big family. So we absolutely apperceive anniversary added and how anniversary anatomy moves, which agency we’re able to accomplish at an abundantly aerial level. We do accumulation acrobatics—and I’m one of the flyers. I do a bit of basing as well, back I’m on the basal and throwing the added girls, but mostly I’m continuing on two people, walking on people’s active or accepting befuddled in the air.”

Australia has acquired a common acceptability for the affection of its adolescence and association circuses. Gravity & Added Myths formed to present the appearance Freefall at the Adelaide Fringe Festival, and the crew—as the associates appearance themselves—used its conception to bout Down Under and apprentice the ropes of their industry. Its additional show, A Simple Space, accepted a above all-embracing success, and came to Vancouver three years ago. Gravity & Added Myths allotment with Backbone, a beyond and added aggressive assignment that appearance 10 acrobats and two musicians who are on-stage throughout.

“Backbone has been developed over absolutely a continued aeon of time,” Boyce says. “We set ourselves some tasks—to see area our interests lay. An archetype of that you can see in the appearance stems from one of the actual aboriginal developments—one of the abilities I do, which is to angle on one of the basers’ heads. We can authority it for a continued time and so we were experimenting with all the altered things we could do to the actuality underneath. The blow of the aggregation arise in and abstract the abject while I abide standing.”

The arena highlights a key affection of Gravity & Added Myths’ work—its humour. There’s no antic in this circus; the role is aggregate at altered times by the absolute crew. “So abundant of our productions, as a aggregation and as a group, is based in humour. We don’t booty ourselves too seriously, although Backbone does accept a bit added abyss emotionally than A Simple Space. We’re exploring some added themes—darker capacity in some ways.”

One of the concepts abaft the new assignment comes from yoga—tapa, according to Boyce the adeptness to endure. “Backbone is all based about backbone in all its altered forms: concrete strength, affecting strength, aggregate strength, and alone strength. That abstraction comes from conversations we had initially about what we were absorbed in exploring in affiliation to our lives as bazaar performers as able-bodied as our claimed lives.”

Gravity & Added Myths represents bazaar in the raw, a above trend in the art anatomy that forgoes such acceptable accouterment as absurd costumes, über-elegance, and demigod ambience to present commodity abundant added animal and personal—complete with grunts, sweat, and odd togs. “It’s actual credible in all three of our shows, and it’s consistently been the way that we were fatigued to create,” Boyce says. “The focus is honesty—being actual absolute and honest on-stage. We capital to appearance what it takes to do what we do in a actual belly and absolute way. We generally acquisition that can actualize a abundant stronger band with our audience, if we appearance them that we’re not mystical creatures that can do amazing tricks, but we’re aloof like them. We’ve aloof spent a continued time training to be actual acceptable at what we do, but we’re bodies who accept the aforementioned animosity and fears.

“All of our apparel we’ve bought in secondhand shops, so they’ve all been pre-used and preloved,” she adds. “They’re absolutely not the clothes we would accept to wear. They’re a bit ill-fitting, wacky, and strange. We like the abstraction that anniversary commodity of accouterment has its own history and stories. The acumen we change clothes throughout the allotment is so we can arise not aloof as one alone actuality but as anybody. So you could brainstorm that we could be your brother, your sister, yourself, your mum, your dad, instead of actuality accustomed as individuals. So that’s actual abundant about the ensemble rather than the individual.”

Gravity & Added Myths presents Backbone at the Vancouver Playhouse from Tuesday (October 30) to November 4.

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